Lots of slow-mo. Lots of hyperlapse. Lots of GoPro. Lots of drone. Not a bad colour piece.
[youtube]https://www.youtube.com/watch?v=D6ozeaudijU[/youtube]
Lots of slow-mo. Lots of hyperlapse. Lots of GoPro. Lots of drone. Not a bad colour piece.
[youtube]https://www.youtube.com/watch?v=D6ozeaudijU[/youtube]
Jason Patterson has a useful guide to the optimal h.264 video codec settings for use with x264 and other h.264 encoders.
Interesting pivot on the “think forward” campaign from Swinburne a few years ago — “Knowing”.
[youtube]https://www.youtube.com/watch?v=k9AF1rOS-LI[/youtube]
I’m not really sure what they’re trying to do with the longer staff interview piece “You’ll know” — it seems a waste of some good talent — why smoosh six stories into one almost 12 min piece?
[youtube]https://www.youtube.com/watch?v=hbGZWUk3vIo[/youtube]
Producing pretty-ish closed (or “burnt in”) captions can be a pain, but the DCSubToAE script for After Effects does a fairly good job of syncing up YouTube generated SRT subtitles with the original clip. So the process is:
New series of TVC’s for The University of Western Sydney or “Western Sydney University” featuring graduate stories. Very high production values, looks like lots of dollars here.
[youtube]https://www.youtube.com/watch?v=buA3tsGnp2s[/youtube]
[youtube]https://www.youtube.com/watch?v=YIT_1Hms3L8[/youtube]
[youtube]https://www.youtube.com/watch?v=YKN6LDJdUDg[/youtube]
DSLR Newsshooter interviews Thomas Hole, a DP who worked with Cartier and T Brand Studio (New York Times) to produce a profile piece about the adventurer Alastair Humphreys. Very high production values were used.
[vimeo]https://vimeo.com/133824081[/vimeo]
Reelsteady is a new plugin for After Effects that stabilises hand-held video, apparently to a higher quality than the go-to Warp Stabiliser.
A nice travel experience piece by Miguel Santana. Nice sound mix.
[vimeo]https://vimeo.com/130746973[/vimeo]
ReelSEO has a useful guest-published post about how the big brands have always used emotion and logic to draw in and engage viewers. Like the Stillmotion “speak to the heart, to move the mind.”